Monday, November 5, 2012
Friday, October 19, 2012
Wednesday, October 10, 2012
Ice hockey meets contemporary art: Making of Karri Rämö's mask
When thinking of an ice hockey goalkeeper’s helmet, colorful team logos
with flames and tigers come to mind. They are usually painted with
air-brush for cool blending and finer details. Creating a custom-fit
mask using rough brushes, spray cans and oil paint would feel a bit out
of place? Well, that's exactly what KHL goalie Karri Rämö asked painter
Roy Hopiavuori to do. ”My friend has a couple of Hopiavuori’s hanging on
his walls and I've always liked them a lot.” says Rämö.
”I think it was February this year when I got a new mask from the factory and had no idea how to illustrate it. When I played in Tampa I had this Nightmare Before Christmas-theme going and my current one has the team colors (Avangard Omsk) on it. I wanted something new and got this silly idea to ask Hopiavuori to paint it! Roy works with this kind-of-a-street-art style, rough stencils and bad-ass details. I thought the result would kick ass in a unique way compared to other guys’ masks.”
With no idea what to expect, Rämö gave Hopiavuori full artistic freedom. ”Yeah, I was a bit nervous but in a good way”, Rämö laughs. After the commision, the painter disappeared and didn’t answer his phone for weeks. Just a few days before the World Championship tournament in Helsinki, Rämö got the call. ”Hey, your mask is ready. Want to meet somewhere?” The artist had come out of his cave to meet that night at a rock bar in the heart of Helsinki.
”The music was loud. They were playing Ministry and other love songs. I couldn’t hear much of what Roy was saying. Taking the mask out of the box I only caught the words ‘hardest’, ‘Ostrobothnia’ and ‘balls’. That was about it. I mean, I am a hockey player. How do you respond to something like that?” Later, Hopiavuori disappeared somewhere into the night. Rämö walked home and went to sleep.
“It was only the next day when I really saw it. First you might think what a bizarre piece of work it is - but once you stare at it a while, the details just start popping out. I think you could take a chainsaw, split the piece in two and there would still be something new you didn’t see the first, or second time.” Rämö analyzes.
”All in all, I’m really happy about the outcome. I haven’t actually decided yet, whether I’m going to wear it on ice or put it up on the wall - maybe wait for the artist’s death in order to gain value to the artwork”, he smiles.
”I think it was February this year when I got a new mask from the factory and had no idea how to illustrate it. When I played in Tampa I had this Nightmare Before Christmas-theme going and my current one has the team colors (Avangard Omsk) on it. I wanted something new and got this silly idea to ask Hopiavuori to paint it! Roy works with this kind-of-a-street-art style, rough stencils and bad-ass details. I thought the result would kick ass in a unique way compared to other guys’ masks.”
With no idea what to expect, Rämö gave Hopiavuori full artistic freedom. ”Yeah, I was a bit nervous but in a good way”, Rämö laughs. After the commision, the painter disappeared and didn’t answer his phone for weeks. Just a few days before the World Championship tournament in Helsinki, Rämö got the call. ”Hey, your mask is ready. Want to meet somewhere?” The artist had come out of his cave to meet that night at a rock bar in the heart of Helsinki.
”The music was loud. They were playing Ministry and other love songs. I couldn’t hear much of what Roy was saying. Taking the mask out of the box I only caught the words ‘hardest’, ‘Ostrobothnia’ and ‘balls’. That was about it. I mean, I am a hockey player. How do you respond to something like that?” Later, Hopiavuori disappeared somewhere into the night. Rämö walked home and went to sleep.
“It was only the next day when I really saw it. First you might think what a bizarre piece of work it is - but once you stare at it a while, the details just start popping out. I think you could take a chainsaw, split the piece in two and there would still be something new you didn’t see the first, or second time.” Rämö analyzes.
”All in all, I’m really happy about the outcome. I haven’t actually decided yet, whether I’m going to wear it on ice or put it up on the wall - maybe wait for the artist’s death in order to gain value to the artwork”, he smiles.
Hopiavuori & Rämö |
Sunday, October 7, 2012
Friday, October 5, 2012
Viru Hotel KGB Museum
Friday, August 17, 2012
Sunday, August 5, 2012
Chrysops caecutiens
Friday, August 3, 2012
Vespula vulgaris
Chanterelle
Tuesday, July 31, 2012
Patarei Prison, Tallinn
Prison hospital.
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Operation room.
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The last prisoners moved out some time between 2004 and 2007. They left a mess.
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The execution room. The last death penalty took place in 1991.
The hanging point is in the middle of the roof and the victim dropped to the hole on the floor.
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Tuesday, July 24, 2012
Sunday, July 15, 2012
Fatum
"Gero Tragatschnig was born in mainland Germany, but soon started out to the island of Sylt, to pursue his dream of a windsurfing and surfing lifestyle. To finance this dream, he initially shaped and repaired boards during summer at Paradise Customs Sylt. During those years Gero built his reputation as a progressive shaper, especially for small wave and longboards, designing boards that would allow their owners to get the most out of those sloppier Nortern Sea swells. His winters he spent travelling to the world’s best surf regions, where he also continued collecting extensive surfing and shaping experience in Hawaii, Australia, Indonesia, Marocco and Central America.
Since 1996, his friendship and close collaboration with then WQS rider Thomas Lange allowed Gero to apply his international shaping experience and wave knowledge to develop high performance shortboards, and an entire range of boards for different users and wave conditions.
Gero moved to Peniche in 1996, to be able to shape and surf all year round. It is here where the idea of Fatum is consolidated and takes name and form.The ability to surf the diverse waves in this area, collaborate and receive feedback from local and travelling surfers influenced the shapes Fatum created since then and now are carried in its portfolio.
Today Gero possesses a blend of exquisite knowledge of less conventional shapes such as fishes, malibus, longboards and quads, but also the experience with high performance short boards as a result of his work with team riders such as Miguel Mouzinho and Thomas Lange. Gero believes in a straightforward approach to board-design:give every surfer the best possible board. Today’s Fatum board range is suited for a wide range of surfers, from more seasoned surfers looking to just have fun with their surfing or returning to the water, to high performance surfers looking to use state of the art shapes for competition."
Saturday, July 14, 2012
Wednesday, June 13, 2012
Wednesday, May 30, 2012
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